Two new distortion types, Tube and Wave, join the original clip distortion algorithm, expanding Kick 2's sonic palette further, although we weren't too impressed by the quality of any of them. The waveform display also boasts incredibly precise vertical and horizontal zooming functions, so you can really zoom in on the nitty gritty details, if required. This makes it fantastically easy to adjust the amplitude curve of the sub sympathetically to the sampled clicks, helping you to easily craft a smooth transition from sampled attack to synthesised body/tail.
And making life even easier, the waveform display also has individual on/off switches for all four sources, enabling as many of their translucent waveforms to be overlaid simultaneously as you need. With three click sample sources now onboard, it's good news that each sound source has independent keytrack on/off switches. Thus, rather than being limited to using a sine wave for the basis of your kick drum tail, you can now pick from a menu of more flavoursome shapes and edit them at the harmonic level.
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"Kick 2 is a huge upgrade, with refined sound quality and a greatly extended feature set."įor those not yet fully comfortable with designing their own kicks from scratch, a bank of preset curves is included to get you started and teach you the fundamental principles.įor v2, the sub generator has been improved with the addition of an additive synthesis-style editor, offering up to eight partials. Kick 2 has inherited the super flexible Bezier curve envelope editor of its predecessor, with its snap option for locking nodes to musical note values, and tag option to show pitch indicators (expressed in both Hz and musical notes). Each source has its own amp envelope, while the sub generator features a pitch envelope (the magic ingredient for turning a plain old oscillator into a dance music kick drum).
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